Master Triad Inversions ( Guitar Course) - Be Creative Guitar Mastery

Course Content

Section 1 – Introduction and “What are triads”

1-1 – Triad inversions. Introduction.

03:29
1-2 What are triads?

00:00

Section 2 – C Major Triads

2-1 First String Set. C major 123 strings

00:00
2-2 How to Practice with Metronome. Major Triads

00:00
2-3 – 2nd String set – C major – strings 234

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2 -4 – 3rd String set

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2-5 – 4th String set ( C major triads)

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2-6 – Position 1 – C triads in positions

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2-7 – Position 2 – C triads in positions

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2- 8 – Position 3 – C triads in positions

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2-9 Triads across the fretboard & How to practice with the metronome

00:00
2-10 Musical example 1

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2-11 Musical example 2

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2-12 Musical example 3

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2-13 Musical example 4

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2-14 Musical example 5

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Section 3 – G major Triads

3-1 – 1st string set – G major triads

00:00
3-2 – 2nd string set – G major triads

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3-3 – 3rd and 4th string sets – G major triads

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3-4 – 1st Position – G major triads

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3-5 – 2nd Position – G major triads

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3-6 – 3rd Position – G major triads. and More ideas of how to practice Creatively.

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3-7 – All across the fretboard

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3-8 – G major – Etude – 1st bar

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3-9 – Etude – 2nd bar

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3-10 – Etude – 3rd bar

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3-11 – Etude – 4th and 5th bar

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3-12 – full etude

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Section 4 – Implementing Rhythms and Being Creative

Section 5 – Major Triads in All Keys Using the Circle of Fifths – Etudes

Section 6 – A Minor Triads

6-1 Triad Minor Shapes/Inversions in Am 123 String Set

00:00
6-2 – Am Triads 123 String Set

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6-3 – Am Chord Inversions on 345 String Set

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6-4 – A Minor Triads – 456 String Set

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6-5 – Am 1st position – All String Sets in 1st Position

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6-6 – Am Position 2

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6-7 – Am Position 3

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6-8 – 3 positions together

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6-9 – 1st etude Am

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6-10 – 2nd etude A minor Triads

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6-11 – 3rd etude Am

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6-12 – 4th etude Am

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6-13 – 5th etude Am

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Section 7 – Dm Triads

7-1 – D Minor Triad Inversions – starting off and music theory

00:00
7-2 – Dm – 1st String Set (123 strings)

00:00
7-3 – 2nd str set (234 strings)

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7-4 – 3rd str set- 345 strings

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7-5 – 456 String Set – Dm Triad Inversions

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7-6 – 1st position Dm

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7-7 -2nd position Dm

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7-8 – 3rd position Dm

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7-9 – All Positions Dm triads

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7-10 – Dm Etude – Full Etude

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7-11 – Etude for Dm – 1st 2 bars

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7-12 – Dm etude 3,4 bars

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7 -13 – Dm Etude, 5 – 6 bars

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7-14 – Dm Triads Etude – a Wrap up ( the last bars)

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Section 8 – Minor Triads in All Keys – Circle of Fifths

Section 9 – Major and Minor Triad Etudes

9 -1 – Etude 1 – Major Minor Triads – full etude

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9-2 – Etude 1 – Part 1 – major minor triads

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9-3 – Etude 1 – Part 2

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9-4 – Etude 1 – Part 3 – wrap up last bars and full etude

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9-5 Etude 2 – full

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9-6 – Etude 2 – Part 1

00:00
9-7 Etude 2- Part 2

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9-8 Etude 2 – Part 3 – major minor, wrap up

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9-9 – Etude 3 – major minor –

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9-10 – Creativity , rhythms and composing – ( Chords from Etude 3 )

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9-11 Etude 4

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9-12 – Musical examples with rhythms – etude 4 example

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9-13 – Continuing with rhythm and arpeggios

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9-14 – Etude in Key of A – Part 1

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9-15 – Etude in Key of A – Part 2

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Course Content

Section 1 – Introduction and “What are triads”

1-1 – Triad inversions. Introduction.

1-2 What are triads?

Section 2 – C Major Triads

2-1 First String Set. C major 123 strings

2-2 How to Practice with Metronome. Major Triads

2-3 – 2nd String set – C major – strings 234

2 -4 – 3rd String set

2-5 – 4th String set ( C major triads)

2-6 – Position 1 – C triads in positions

2-7 – Position 2 – C triads in positions

2- 8 – Position 3 – C triads in positions

2-9 Triads across the fretboard & How to practice with the metronome

2-10 Musical example 1

2-11 Musical example 2

2-12 Musical example 3

2-13 Musical example 4

2-14 Musical example 5

Section 3 – G major Triads

3-1 – 1st string set – G major triads

3-2 – 2nd string set – G major triads

3-3 – 3rd and 4th string sets – G major triads

3-4 – 1st Position – G major triads

3-5 – 2nd Position – G major triads

3-6 – 3rd Position – G major triads. and More ideas of how to practice Creatively.

3-7 – All across the fretboard

3-8 – G major – Etude – 1st bar

3-9 – Etude – 2nd bar

3-10 – Etude – 3rd bar

3-11 – Etude – 4th and 5th bar

3-12 – full etude

Section 4 – Implementing Rhythms and Being Creative

4-1 Rhythm exercises – Part 1

4-2 Using rhythms creatively

Section 5 – Major Triads in All Keys Using the Circle of Fifths – Etudes

5-1 Etude – Major Triads – 123,234 string sets in Circle of Fifths – part 1

5-2 – Etude – 123,234 String sets, Circle of 5ths – Part 2

5-3 Etude – Majors in 123,234 String sets – Part 3

5-4 – Etude 2 for Major Triads – 345, 456 String sets, circle of 5ths – Part 1

5-5 – Etude for 345,456 string sets in circle of 4ths/5ths – Part 2

5-6 – Arpeggiated Etude – Per positions – part 1

5-7 – Arpeggiated Etude – part 2

Section 6 – A Minor Triads

6-1 Triad Minor Shapes/Inversions in Am 123 String Set

6-2 – Am Triads 123 String Set

6-3 – Am Chord Inversions on 345 String Set

6-4 – A Minor Triads – 456 String Set

6-5 – Am 1st position – All String Sets in 1st Position

6-6 – Am Position 2

6-7 – Am Position 3

6-8 – 3 positions together

6-9 – 1st etude Am

6-10 – 2nd etude A minor Triads

6-11 – 3rd etude Am

6-12 – 4th etude Am

6-13 – 5th etude Am

Section 7 – Dm Triads

7-1 – D Minor Triad Inversions – starting off and music theory

7-2 – Dm – 1st String Set (123 strings)

7-3 – 2nd str set (234 strings)

7-4 – 3rd str set- 345 strings

7-5 – 456 String Set – Dm Triad Inversions

7-6 – 1st position Dm

7-7 -2nd position Dm

7-8 – 3rd position Dm

7-9 – All Positions Dm triads

7-10 – Dm Etude – Full Etude

7-11 – Etude for Dm – 1st 2 bars

7-12 – Dm etude 3,4 bars

7 -13 – Dm Etude, 5 – 6 bars

7-14 – Dm Triads Etude – a Wrap up ( the last bars)

Section 8 – Minor Triads in All Keys – Circle of Fifths

8 – 1 – Minor Triads – part 1 – (first 2 bars Am to Em)

8- 2 – Minor Triads in Circle of Fifths Etude, part 2

8 – 3 – Minor Triads, C#m to G#m – part 3

8 -4 – Ebm key.. and Understand Circle of Fifths ( tricks! )

8 – 5 – Etude for Minor Triads – Ebm to Bbm – Part 4

8 – 6 – Minor triad etude – Fm to Cm – Part 5

8 – 7 – Etude – Minors in circle of fifths, bars Gm and Dm – part 6